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SpaceX makes history with first spacewalks by private citizens

By - Sep 14,2024 - Last updated at Sep 14,2024

WASHINGTON — A pioneering private crew made history on Thursday by becoming the first civilians to perform spacewalks, marking a giant leap forward for the commercial space industry.
 
The SpaceX Polaris Dawn mission, led by fintech billionaire Jared Isaacman, launched early Tuesday from the Kennedy Space Centre in Florida, journeying deeper into the cosmos than any humans in the past 50 years since the Apollo programme.
 
Then, with the four-member crew's Dragon spacecraft lowered to an orbit with a high of 430 miles, pure oxygen began flowing into their suits, marking the official start of their extravehicular activity (EVA) at 10:12 GMT on Thursday.
 
A short time later, Isaacman unlatched the hatch and climbed through, gripping a structure known as "Skywalker," outfitted with hand and footholds, as a breathtaking view of Earth unfolded below him.
 
"It's gorgeous," he told mission control in Hawthorne, California, where teams cheered on important checkpoints.
 
It was yet another major milestone for SpaceX, the company founded by Elon Musk in 2002. Initially dismissed by traditionalists, it has since grown into a powerhouse that has reshaped the space industry.
 
In 2020, it beat aerospace giant Boeing in delivering a safe crewed spaceship to provide rides for NASA astronauts to the International Space Station.
Today, it launches more rockets than any competitor, and its Starlink satellite constellation provides internet service to dozens of countries.
 
'Bit of a dance' 
 
Prior to hatch opening, the crew completed a "prebreathe" process to purge nitrogen from their blood, preventing decompression sickness caused by nitrogen bubbles.
 
The cabin pressure was gradually reduced to match that of space.
 
Isaacman and crewmate Sarah Gillis, a SpaceX engineer, spent a few minutes each peeking out into open space, performing mobility tests on SpaceX's next-generation suits that boast heads-up displays, helmet cameras and enhanced joint mobility systems — before returning inside.
 
They didn't however float away on a tether like early spacefarers such as Soviet cosmonaut Alexei Leonov or NASA's Ed White did in 1965 — nor, for that matter, did they use jetpacks to fly away untethered as Space Shuttle astronauts did on three missions in 1984.
Since Dragon doesn't have an airlock, the entire crew were exposed to the vacuum of space. Mission pilot Scott Poteet and SpaceX engineer Anna Menon remained strapped in throughout as they monitored vital support systems during the activity.
 
"The risk is greater than zero, that's for sure, and it's certainly higher than anything that has been accomplished on a commercial basis," former NASA administrator Sean O'Keefe told AFP.
 
"This is another watershed event in the march toward commercialisation of space for transportation," he added, comparing the crewmates to early aviators who paved the way for modern air travel.
 
First of three Polaris missions 
 
 
The spacewalk follows a daring first phase of the mission, during which the Dragon spacecraft reached a peak altitude of 1,400 kilometres.
 
This put the crew more than three times higher than the International Space Station, in a region known as the inner Van Allen radiation belt — a zone filled with dangerous, high-energy particles.
 
All four underwent more than two years of training in preparation for the landmark mission, logging hundreds of hours on simulators as well as skydiving, centrifuge training, scuba diving and summiting an Ecuadoran volcano.
 
Upcoming tasks include testing laser-based satellite communications between the spacecraft and the vast Starlink satellite constellation, and completing dozens of experiments, including tests on contact lenses with embedded microelectronics to monitor changes in eye pressure and shape in space.
 
Polaris Dawn is the first of three missions under the Polaris programme, a collaboration between Isaacman and SpaceX.
 
Financial terms of the partnership remain under wraps, but Isaacman, the 41-year-old founder and CEO of Shift4Payments, reportedly poured $200 million of his fortune into leading the 2021 all-civilian SpaceX Inspiration4 orbital mission.
 
The final Polaris mission aims to be the first crewed flight of SpaceX's Starship, a prototype next-generation rocket that is key to founder Musk's ambitions of colonizing Mars.
 

Tory Burch evokes sport - but not sportswear - at New York Fashion Week

By - Sep 14,2024 - Last updated at Sep 14,2024

Models walk the runway during a rehearsal of the Tory Burch show during New York Fashion Week in the Brooklyn borough of New York on September 9 (AFP photo)

NEW YORK — American designer Tory Burch unveiled a collection imbued with the spirit of sport -- but without venturing into sportswear -- at New York Fashion Week.
 
Freedom and movement were reflected in loose-fitting wool pants and wrap dresses, while power shone through in the assembly of different pieces, fabrics and cuts on the models marching down the catwalk.
 
"It's more about the spirit and the essence of sport," Burch, whose shows have become a staple of New York Fashion Week, told AFP of the Spring/Summer 2025 collection.
 
That means it's about "movement, about freedom, precision" as a starting point, she explained, adding: "The word 'synchronicity' was something I thought about."
 
Burch, who this year celebrated the 20th anniversary of her eponymous fashion house, said: "I wanted to be careful with not having too many different prints, but I wanted it to come across some textures and the fabrics and the color well."
 
Among the standouts was an ensemble of ultra-light suede pants with a rope belt and a skin-tight sweater patterned in red and white.
A transparent white jersey shirt with ruffles and overly long sleeves was paired with its formal counterpart, brown wool pants.
 
Once again, the Pennsylvania native broke from the style that made her famous, a combination of preppy New England with a touch of the bohemian.
 
A regular at New York's iconic venues, Burch chose the top floor of the former Domino sugar factory in Williamsburg, Brooklyn, with its breathtaking view over Manhattan, for her show.
 
Along with Vogue editor-in-chief Anna Wintour, the show was attended by actresses Michelle Williams, Elizabeth Olsen and Kirsten Stewart.
"I want to have a dialogue, but I want to keep evolving and taking it in new directions," the designer said, adding: "I think it's important to have some continuity."

'Emily in Paris' spotlights designer looks with product placement

Sep 12,2024 - Last updated at Sep 12,2024

Emily in Paris Season 4 (AFP photo) 


PARIS — From Google and Samsung to LVMH, AMI, Jacquemus and even Lidl, brands galore take centre stage in the latest season of Netflix hit series "Emily in Paris", outshining its plot and characters.
The US streaming giant has teamed up with Google to redirect viewers, using its Lens tool, to a website selling every outfit worn by the protagonists simply by photographing the screen.
 
With clicks spiking, Netflix is cashing in on commissions and a "next-level kind of engagement", the firm said in a statement.
 
Emily Cooper, the series' ditzy American heroine who relocates to Paris from Chicago to work for fictional luxury marketing agency "Savoir", is conveniently tasked in the show with developing innovative partnerships for real brands.
 
Such practices are restricted by French law regulating product placement and surreptitious advertising in film and television productions -- but that legislation does not apply to streaming content.
 
"This way of working is new, for us French people, but it is common in American markets where brands are integrated very early on, from scriptwriting, and where advertisers put down significant amounts" of cash, Jean-Dominique Bourgeois, who heads a French agency dedicated to product placement, told AFP.
 
Bourgois, whose firm Place to Be Media developed the partnership between "Emily in Paris" and McDonald's in season three, says companies have budgets ranging from 500,000 to one million euros (between $550,850 and $1.1 million) for a "scripted placement".
 
"It's a good deal for brands that would spend a lot more for a multi-country campaign," he said.
 
New clients 
 
Second-hand designer clothing platform Vestiaire Collective paid for a few minutes of fame when Emily's best friend Mindy -- supposedly broke -- sold pieces from her designer wardrobe in a detailed scene.
 
The French company, contacted by AFP, did not reveal the cost of the deal but said it aimed to boost its brand's reputation, targeting growth in the US, which makes up 20 per cent of its sales.
 
The fashion firm, which offers 900 reference pieces inspired by Emily's wardrobe, has recorded an increase in new clients, sellers and buyers.
Emily's ever-more extravagant looks across four seasons are nevertheless high-selling hits.
 
Memorable clothes include a passe Kangol bucket hat in the first season, a plethora of bright yellow looks and berets in the second season, as well as a masquerade ball striped suit and Mindy's fuzzy blue hat in season four.
 
Making 'eyes bleed' 
 
The programme's costume designer Marilyn Fitoussi, who says she makes "eyes bleed" with her bold fashion choices, has turned Emily's wardrobe into a character in its own right.
 
"I am often called up by brands whose visibility has slightly declined or that are looking to reach different, younger customers," Fitoussi told French financial newspaper Les Echos.
 
The designer pointed out that the first season's limited budget meant she had to dress the protagonist only in second-hand and vintage clothing.
"I don't get paid by brands and I don't want to be," she said.
 
Since then, fashion magazines have picked apart each and every attire as they would a runway show -- with every branded scene, displaying a Louis Vuitton belt or Emily's running gear, carefully shot.
"Watching the series gives you the troubling impression of wandering around a massive mall," GQ journalist Adam Sanchez told AFP.
 
The culture and cinema reporter says the practice "has amped up insanely" in the most recent season, with four product placements in the first four minutes of episode one.
 
But viewers know what to expect, Sanchez says — and they are asking for more.
"It is a particular kind of viewing experience," he said.
 
"They don't really come for the plot, which is minimal, as much as for what Emily is wearing and consuming."
 

James Earl Jones: Stage legend, voice of Darth Vader

By - Sep 11,2024 - Last updated at Sep 11,2024

Kennedy Centre honoree actor James Earl Jones (right) speaks with actor Sidney Poitier at the Kennedy Centre Honours Gala at the US State Department in Washington, DC (AFP photo)

WASHINGTON — James Earl Jones, a versatile and award-winning American stage and screen actor who used his booming deep voice to bring the iconic “Star Wars” villain Darth Vader to life, has died, his representatives said Monday. He was 93 years old. 

From the works of Shakespeare and August Wilson, to his indelible voiceovers in the blockbuster space saga and as Mufasa in the Disney classic “The Lion King”, Jones earned fans with his ability to play both the everyman and the otherworldly.

He won three Tony awards including a lifetime award, two Emmys and a Grammy, as well as an honorary Oscar, also for lifetime achievement.

In 1971, he became only the second Black man nominated for an Academy Award for best actor, after Sidney Poitier.

All of these accolades were hard-won, as Jones, who was born in segregated Mississippi on January 17, 1931, had to overcome a childhood stutter that often led him to barely speak at all.

“Stuttering is painful. In Sunday school, I’d try to read my lessons and the children behind me were falling on the floor with laughter,” Jones told the Daily Mail in 2010.

Reciting his own poetry, at the prodding of an English teacher, helped him to gain control of his voice, which would later be used to strike fear among millions in “Star Wars” as Darth Vader.

Jones did not physically portray the character — David Prowse wore Vader’s black cape and imposing face mask, while Jones offered the voice, oozing the evil power of the Dark Side.

“I am your father,” Vader tells Luke Skywalker, portrayed by Mark Hamill, in a pivotal fight scene in “The Empire Strikes Back” — a twist etched in cinema history.

“He created, with very little dialogue, one of the greatest villains that ever lived,” “Star Wars” creator George Lucas said in 2015 at a ceremony honoring Jones in New York.

From Mississippi, Jones moved to Michigan at age five, where he was raised by his maternal grandparents.

Initially, he studied to become a doctor, and though he shifted his major to drama, and graduated from the University of Michigan, he didn’t initially think about an acting career.

“Even when I began acting studies, I thought about being a soldier,” Jones told PBS public television in 1998.

“And the idea of being an actor didn’t occur to me until after my service was almost finished.”

After university, Jones served in the US Army and then moved to New York to try his luck in acting, working as a janitor at night to make ends meet.

He made his Broadway debut in 1958 in “Sunrise at Campobello” at the Cort Theatre — which in 2022 was renamed the James Earl Jones Theatre.

He tackled many iconic Shakespeare characters on the stage, including Othello and King Lear, but also performed in several Wilson plays, chronicling the Black experience in America.

“On stage, Jones was commanding, powerful. He embodied the elegance and dignity of African American men,” said director Kenny Leon.

But the silver screen eventually came calling.

 

Admirals and kings 

 

Jones’ film debut came in 1964 as Lieutenant Zogg in Stanley Kubrick’s Cold War satire “Dr Strangelove”.

Military roles would crop up throughout his career, notably Admiral Greer in three films about Tom Clancy’s beloved character Jack Ryan (“The Hunt for Red October”, “Patriot Games”, “Clear and Present Danger”).

As for kings, he has played a few — King Jaffe Joffer in the Eddie Murphy comedy “Coming to America” (1988) and Mufasa, Simba’s father, in “The Lion King” (1994).

His first major award came in 1969, a Tony for best actor in a play for “The Great White Hope”, in which he portrayed troubled but gifted boxer Jack Jefferson — based on the real-life Jack Johnson, the first Black world heavyweight champion.

Jones revived the role in a film adaptation of the play — earning his sole Oscar nomination and a Golden Globe award for the performance. In 2011, he won an honourary Academy Award.

Even into his 80s, Jones was a force on Broadway, starring opposite Angela Lansbury in “The Best Man” in a 2012 revival — earning another Tony nomination in the process — and with Cicely Tyson in “The Gin Game” in 2015.

And for years, he greeted viewers of the cable news network CNN with the simple phrase: “This is CNN”.

 

‘Darker voice’ 

 

But his most famous role was ultimately the one for which he never appeared on screen.

Lucas eventually chose between Jones and film legend Orson Welles for the role.

“George thought he wanted a — pardon the expression — darker voice. So he hires a guy born in Mississippi, raised in Michigan, who stutters and that’s the voice and that’s me,” Jones told the American Film Institute in 2009.

Jones initially did not want to be credited for the film, as he felt his voiceovers were simply part of the movie’s special effects, but eventually conceded, and went on to voice the character in multiple films, television series and video games.

In his 90s, he stepped back from the role. But he signed over the rights to his voice recordings to a start-up that is working with Lucasfilm to preserve and recreate it for future projects using artificial intelligence.

The technology was used in the Disney+ mini-series “Obi-Wan Kenobi” in 2022, according to Vanity Fair.

Jones’ second wife Cecilia died in 2016. They had one son.

 

First robot leg with 'artificial muscles' jumps nimbly-- study

By - Sep 10,2024 - Last updated at Sep 10,2024

While conventional robotic legs are driven by an electromagnetic rotary motor (left) (left), for their musculoskeletal system the researchers use electrohydraulic actuators – i.e. artificial muscles (right) (AFP photo)

PARIS — 
Researchers said on Monday they had designed the first robotic leg with "artificial muscles" — oil-filled bags allowing machines to move more like humans — that can jump nimbly across a range of surfaces.

The small, disembodied robot leg was shown hopping over grass, sand and rocks in a video released alongside a new study in Nature Communications.

The researchers hope the technology can be used in the future to create humanoid robots to help out with "boring labour" around the house, study co-author Robert Katzschmann told AFP.

Conventional humanoid robots are built with motors and rigid metal joints similar to those used on factory construction lines, the robotics professor at Switzerland's ETH Zurich university explained.

As well as being extremely expensive, such hulking robots could be dangerous if they were to enter people's homes.

If one was to "fall on you, it is going to be quite painful", Katzschmann said.

A future robot helper needs to be able to not just carry heavy things but "also give someone a hug or shake hands", he added.

The Swiss-led team of researchers was inspired by the 600 muscles in the human body to create something that can walk and jump in a more fluid, agile manner.

To do this, they used "artificial muscles", also known as electrohydraulic actuators.

These soft actuators, which resemble freezer bags, are filled with oil and have electrodes attached.

The way the liquid contracts and expands allows the technology to more closely mimic animal muscles.

The electrostatic system also means that when the robot knee is in a bent position, such as a person would have when squatting, the system uses less electricity than traditional motors, the study said.

The leg can handle rough terrain more nimbly than its rigid predecessors, according to the researchers.

It was able to jump nearly 13 centimetres, which is 40 per cent of its height, the study said.

Research into electrohydraulic actuators is relatively new, with the field only emerging around six years ago.

The simplistic leg cannot currently move freely, only jumping in circles, the researchers acknowledged.

So any robots using such artificial muscles are still some way off.

But the components to make these artificial muscles are not expensive, Katzschmann said, adding that he hoped mass production could speed advancements in the years ahead.

Almodovar wins top Venice prize for end-of-life film

By - Sep 09,2024 - Last updated at Sep 10,2024

Spanish director Pedro Almodovar poses with the Golden Lion for Best Film he reveived for 'The Room Next Door' during a photocall following the award ceremony of the 81st Venice Film Festival on Saturday at Venice Lido (AFP photo)


VENICE — Spain's Pedro Almodovar won Venice's Golden Lion award on Saturday for his pro-euthanasia film "The Room Next Door", with the acting prizes going to Nicole Kidman and Frenchman Vincent Lindon.

The female friendship end-of-life film starring Tilda Swinton and Julianne Moore was Almodovar's first English-language feature-length film.

In the film -- which like many of Almodovar's hinges on strong female characters -- Swinton plays a war correspondent suffering from terminal cancer. She asks her friend, played by Moore, to be at her side when she takes her own life.

"I believe saying goodbye to this world cleanly and with dignity is a fundamental right of every human being," Almodovar told the audience after accepting his award. "It is not a political issue, but a human one.

He acknowledged that "this right goes against any religion or creed that has God as the only source of life".

"I would ask practitioners of any creed to respect and not intervene in individual decisions in this regard," said the prolific director, whose films in recent years have considered themes of death or physical decline.

President of the jury, French actor Isabelle Huppert, said the film tackled important issues thoughtfully and without melodrama. She paid tribute, too, to the performances of the two lead actors.

Almodovar was honoured by Venice with a career achievement award five years ago.

 

'My heart is broken' 

 

Kidman was awarded the best actress award for her fearless turn as a CEO who has an affair with an intern in the erotic thriller "Babygirl", but she was unable to collect the prize following the sudden death of her mother.

"My heart is broken," said the Australian actress in a statement read onstage on her behalf by the film's Dutch director, Halina Reijn.

"I'm in shock, and I have to go to my family. But this award is for her. She shaped me, she guided me, and she made me," she said.

Kidman was praised by critics during the 10-day festival for her no-holds-barred performance in the sexually explicit film about female desire and power relationships.

Veteran French actor Vincent Lindon won the best actor award for "The Quiet Son", in which he plays a single father struggling to prevent his teenage son from being swept up in far-right extremism.

He won against well-received performances from former Bond actor Daniel Craig in "Queer" and Adrien Brody in "The Brutalist".

The Grand Jury Prize, considered a runner-up to the Golden Lion, went to Italian film "Vermiglio" from director Maura Delpero, which dealt with the effects of World War II on an isolated mountain village.

 

Stars galore 

 

The winners were among 21 contenders vying for the top prize in a festival that swarmed with top Hollywood talent, from Angelina Jolie to George Clooney.

Venice's red carpet this season saw the likes of Lady Gaga, starring with Joaquin Phoenix in the sequel to Todd Phillips' antihero film "Joker", as well as Brad Pitt, whose action comedy "Wolfs" with Clooney premiered out of competition.

Jolie took on the role of opera diva Maria Callas in Pablo Larrain's "Maria".

Films this year did not shy away from difficult subject matter, whether contemporary or historical.

Abortion ("April"), white supremacy ("The Order"), the Mafia ("Sicilian Letters"), and enforced disappearances and killings during Brazil's military dictatorship ("I'm Still Here") were all examined in the main competition films.

Several films explored war and its crushing repercussions, whether documentaries on the war in Ukraine or the conflict between Israel and Palestinians.

Among the most controversial was "Russians at War" from Russian-Canadian filmmaker Anastasia Trofimova, who went behind the lines of the Ukraine war with Russian soldiers.

"Russian soldiers are not someone whose voices are heard," Trofimova told journalists ahead of the screening.

But the film prompted outrage in Ukrainian cultural and political circles for its inclusion at Venice, with many casting it as a pro-Kremlin film seeking to whitewash Russia's assault.

The festival also honoured American actress Sigourney Weaver and Australian director Peter Weir with lifetime achievement awards.

Surviving Summer Cookouts!

Here we are at the tail end of summer and still trying to figure out how to slay that dragon!

By , - Sep 08,2024 - Last updated at Sep 08,2024

Photo courtesy of Family Flavours magazine

By Sonia Salfity,
Desperate Dieter

By that I mean not just coping with end of the season cookouts, but also thriving enough to have the upper hand.

There is absolutely no reason we cannot position ourselves to face food gatherings from a powerful stance. Sometimes it helps me to visualise myself before I even go to the event.

 

My stronger self

 

I picture how my weaker self would behave and replace that with a picture of how my stronger self would behave. Then I would ask myself this question: “How can I help myself ahead of time to empower myself to behave through my stronger self?”

I will venture to say that this kind of visualisation is extremely empowering as you face any kind of challenges and not just ones that relate to food!

Take, for example, that difficult conversation you’ve been dreading to have with someone you care about.

It will help you tremendously to visualise yourself respectfully communicating what you wish to say.

 

Speaking the truth in love

 

Speaking the truth is an art and we can all get better at it the more we practice.

We all know that it’s easier to receive criticism from a friend whose body language and tone of voice is full of kindness.

Often times it’s not necessarily what you say, but how you say it that can make or break even the most challenging situations.

You may wonder what this has to do with us desperate dieters. I can tell you from my own personal experience that it’s absolutely essential for our physical, mental and emotional health to learn how to manage criticism — but that’s another topic for another day.

 

Visualisation

 

Back to the subject of cookouts, according to the World Health Organisation every year one out of every 10 people get sick as a result of contaminated food.

At least 200 different diseases are linked to consuming unsafe foods. With this in mind remind yourself of this statistic next time you are tempted to eat something that has been left out for too long.

This increases the chance of contaminated food especially if it’s served outdoors in the hot sun.

I don’t know about you, but food poisoning is not worth it no matter how delicious the food appears! All you have to do is visualise yourself vomiting all night and this will surely prevent you from reaching for extra servings!

Here are a few basic tips to help you navigate endof-summer temptations. These tools are not rocket science. You’ve read them before, but they deserve repeating until they become cemented as a daily habit.

If we practice them regularly, they will become second nature to us.

1. Hydrate, hydrate, hydrate. From the moment you wake up be intentional about drinking your water whether you feel thirsty or not. Skip the sugary juices and the dehydrating alcohol and stick to your good old H2O!

This will ensure that your hunger signals are accurate when you feel hungry as we all confuse thirst with hunger

2. Don’t starve yourself before the event. Eat enough protein and fiber that will give you enough holding power. A handful of walnuts or almonds with a large glass of water can do wonders to curtail your hunger pangs

3. Focus on enjoying the conversations more than that chocolate cake that seems to have your name written all over it!

4. Take a deep breath. Especially if you’ve been running around all day to finish everything on your “To Do List”.

We tend to take shallow breaths instead of deep ones. Practice breathing by inhaling deeply through your nose counting to four then holding your breath for another count of four.

Finally slowly exhale from your mouth to a count of four. As you do this visualise all the stress slowing leaving your body as you exhale. Repeat this for five mins and do as many times as necessary to bring your mind to a calm place.

A calmer you is a healthier you which will empower you to make better choices in every area of your life.

5. Listen to your body. If you’re not getting enough sleep then make it a priority to put that cell phone in another room and get to bed earlier than you normally do.

How could we possibly expect our bodies to recover when we don’t give them enough rest.

Here’s to the full restoration of our bodies and minds as we bid summer goodbye,’till next year!

Reprinted with permission from Family Flavours magazine

Bossa nova ‘Mas Que Nada’ star Sergio Mendes dead at 83

By - Sep 07,2024 - Last updated at Sep 07,2024

This photograph shows the remnants of a house that reappeared when the level of the Mornos artificial lake dropped following a drought, near the village of Lidoriki, about 240 km northwest of Athens, on Sunday (AFP photo)

RIO DE JANEIRO — Brazilian music legend Sergio Mendes, who helped catapult bossa nova onto the global stage in the 1960s with hits including “Mas Que Nada”, died in Los Angeles at the age of 83, his family said on Friday.

Mendes’ family said the composer and pianist “passed away peacefully” Thursday at his home, surrounded by his wife and children.

“For the last several months, his health had been challenged by the effects of long-term COVID,” the statement added.

The three-time Grammy winner, who trained as a classical pianist, arrived on the scene as bossa nova — Brazil’s silky mix of samba and jazz — was taking the world by storm, popularised by Joao Gilberto’s “The Girl From Ipanema” among other hits.

Mendes’s mastery of jazz brought him to the attention of American saxophonist Cannonball Adderley, who chose the Brazilian’s group “Sexteto Rio” to record his album “Cannonball’s Bossa Nova” in 1963.

Three years later, Mendes became an international sensation in his own right with his album “Sergio Mendes & Brasil 66”, which featured the now legendary “Mas Que Nada” — his adaptation of a Jorge Ben standard.

Throughout his career, Mendes skillfully blended samba rhythms and jazz grooves with bossa nova harmonies and Californian pop to produce a deceptively simple but hugely popular style dismissed by some as “easy listening”.

He recorded more than 35 albums in total and toured with some of America’s jazz greats, including Frank Sinatra.

 

‘Very curious’ 

 

Mendes was the Brazilian with the most songs (14) in the Top 100 of the US charts, according to the Brazilian presidency.

In 1993, he received the Grammy Award for Best World Music Album for “Brasileiro”, which included several compositions by his compatriot Carlinhos Brown.

Two decades later, the pair was nominated for an Oscar for the song “Real in Rio” from the animated film “Rio”.

“Rest in peace, dear genius,” Brazilian music legend Milton Nascimento, one of the first celebrities to react to Mendes’s death, wrote on Instagram.

“We had many years of friendship, collaborations and music,” Nascimento added.

Brazil’s President Luiz Inacio Lula da Silva extended condolences to Mendes’s loved ones and fans, adding: “He was one of the greatest exponents and disseminators of our music and culture in the world.”

Black Eyed Peas singer Will.i.am paid tribute to Mendes on Instagram, where he posted a photo of the two of them and the message: “An eternal friendship”.

The American group had recorded a remix of “Mas Que Nada” in 2006, introducing the song to a new generation.

Mendes continued touring as recently as 2023, playing gigs in Paris, London and Barcelona.

In a 2014 AFP interview in Paris, he described himself as “very curious” and stressed that his musical influences were distinctly Brazilian.

“In Brazil, we have great cultural and musical diversity, ranging from the music of Bahia and Rio de Janeiro to classical music and African rhythms,” he said.

Mendes is survived by his wife and musical partner of over half-a-century, Gracinha Leporace Mendes, and five children.

Sunken village emerges as Greek drought bites

By - Sep 05,2024 - Last updated at Sep 05,2024

This photograph shows the remnants of a house that reappeared when the level of the Mornos artificial lake dropped following a drought, near the village of Lidoriki, about 240 km northwest of Athens, on Sunday (AFP photo)

LIDORÍKI, Greece — Record-breaking temperatures and prolonged drought in Greece have exposed a sunken village in Athens’ main reservoir for the first time in 30 years.

The village of Kallio was submerged in the late 1970s when the Mornos dam was built 200 kilometres west of the capital, the artificial lake fed by the Mornos and Evinos rivers.

With lake levels down by 30 percent in recent months according to state water operator EYDAP, the ruins of a school and houses have reappeared.

“The level of Lake Mornos has dropped by 40 metres,” said Yorgos Iosifidis, a 60-year-old pensioner who had to leave his home as a young man along with the other villagers when the area was flooded.

“You see the first floor that remains of my father-in-law’s two-storey house... and next to it you can see what’s left of my cousins’ house,” Iosifidis, who now lives higher up the hill, told AFP.

Drought worsened this year in the Mediterranean country that is well accustomed to summer heat waves.

After the mildest winter on record, Greece had its hottest July on record, according to preliminary weather data from the national observatory. This came after similarly record-breaking temperatures in June.

Nearly 80 houses in Kallio, in addition to the church and school, were “sacrificed” to supply Athens with water, Kallio village chairman Apostolis Gerodimos told state agency ANA.

This is the second time Kallio has reappeared, after another period of drought in the early 1990s, said Iosifidis.

“If it doesn’t rain soon, the level will drop further and the problem will be more acute than it was then,” he said.

Anastasis Papageorgiou, 26, a doctor who lives in Amygdalia, a village near Mornos, said the area has seen very little rain or snow in the last two years.

“The situation is difficult at the moment, so we have to be careful with water,” he said.

The Greek authorities called on the 3.7 million inhabitants of Attica, the region surrounding Athens and home to a third of the Greek population, not to waste water.

EYDAP has also tapped into additional reservoirs near the capital.

On a visit to neighbouring Thessaly on Monday to discuss reconstruction works after last year’s destructive floods, Prime Minister Kyriakos Mitsotakis said Greece had to improve its water management.

“We don’t have the luxury to waste water... at a time when we know with certainty that we will have less water, we must protect water resources more methodically than we have done so far,” Mitsotakis said.

Greece uses 85 per cent of its water for irrigation and needs to build more dams, the prime minister said.

'Digital pause': France pilots school mobile phone ban

By - Sep 04,2024 - Last updated at Sep 04,2024

One hundred eighty collèges in France are trialing a mobile phone ban for pupils (AFP photo)

PARIS — Tens of thousands of pupils in France are going through a slightly different return to school this autumn, deprived of their mobile phones.

At 180 "colleges", the middle schools French children attend between the ages of 11 and 15, a scheme is being trialled to ban the use of mobile phones during the entire school day.

The trial of the "pause numerique" ("digital pause"), which encompasses more than 50,000 pupils, is being implemented ahead of a possible plan to enforce it nationwide from 2025.

Right now, pupils in French middle schools must turn off their phones. The experiment takes things further, requiring children to hand in their phones on arrival.

It is part of a move by President Emmanuel Macron for children to spend less time in front of screens, which the government fears is arresting their development.

The use of "a mobile phone or any other electronic communications terminal equipment" has been banned in nurseries, elementary schools and middle schools in France since 2018.

In high schools, which French children attend between the ages of 15 and 18, internal regulations may prohibit the use of a cell phone by pupils in "all or part of the premises”.

Bruno Bobkiewicz, general secretary of SNPDEN-Unsa, France's top union of school principals, said the 2018 law had been enforced "pretty well overall". 

"The use of mobile phones in middle schools is very low today,” he said, adding that in case of a problem "we have the means to act". 

 

Improving 

'school climate'

 

The experiment comes after Macron said in January he wanted to "regulate the use of screens among young children". 

According to a report submitted to Macron, children under 11 should not be allowed to use phones, while access to social networks should be limited for pupils under 15.

With an increasing amount of research showing the risks of excessive screen time for children, the concern has become a Europe-wide issue.

Sweden's Public Health Agency said this week children under the age of two should be kept away from digital media and television completely and it should be limited for more senior ages.

One of Britain's biggest mobile network operators, EE, has warned parents they should not give smartphones to children under the age of 11.

The French education ministry hopes that the cellphone-free environment would improve "school climate" and reduce instances of violence including online harassment and dissemination of violent images. 

The ministry also wants to improve student performance because the use of telephones harms "the ability to concentrate" and "the acquisition of knowledge". 

The experiment also aims to "raise pupils' awareness of the rational use of digital tools". 

Jerome Fournier, national secretary of the SE-UNSA teachers' union, said the experiment will seek "to respond to the difficulties of schools for which the current rule is not sufficient", even if "in the vast majority of schools it works".

'Complicated 

to implement'  

 

According to the education ministry, "it is up to each establishment to determine practical arrangements", with the possibility of setting up a locker system.

Pupils will have to hand in their phones on arrival, putting them in boxes or lockers. They will collect them at the end of classes. The ban also extends to extracurricular activities and school trips.

But the enforcement of the measure across all schools in France from January 2025 could be expensive.

According to local authorities, the measure could cost "nearly 130 million euros" for the 6,980 middle schools in France.

If a phone goes missing from a locker, this would also cause an added financial problem.

Education Minister Nicole Belloubet said on Tuesday that the ban would be "put in place gradually".

"The financial costs seem quite modest to me", she added.

 

Many are sceptical

 

For the leading middle and high school teachers' union Snes-FSU, the ban raises too many questions.

"How will things work on arrival?" wondered the head of the union, Sophie Venetitay. "How will things work during the day," she said, adding that some students have two mobile phones.

The SE-UNSA teachers' union also expressed reservations.

"We're going to need staff to manage arrivals, drops-off and departures, and the collection of mobile phones," said Fournier.

"Sometimes pupils just have time to put their things away when classes end, and run to the bus so as not to miss it,” he added.

Bobkiewicz of SNPDEN-Unsa, France's top union of school principals, agreed.

He said he did not want to rummage through pupils' bags to look for their phones.

"It's going to be complicated to implement."

 

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