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Crying wolf to save livestock and their predator

By - Aug 24,2023 - Last updated at Aug 24,2023

Grazing sheep in Pontimia Pasture in the Swiss Alps during a monitoring programme by OPPAL, a Swiss NGO, to watch livestock against wolf attacks on August 9 (AFP photo by Fabrice Coffrini)

PONTIMIA PASTURE, Switzerland — Using a powerful torch, Aliki Buhayer-Mach momentarily drenches a nearby mountain top in light, straining to see if wolves are lurking in the shadows.

If the predator were to get past the electric wires stretched around this high-altitude pasture in the Swiss Alps, the 57-year-old biologist knows “it would be a massacre”.

She and her 60-year-old husband Francois Mach-Buhayer — a leading Swiss cardiologist — have settled in to spend the night watching over some 480 sheep grazing in the remote mountains near the Italian border.

The pair of unlikely herders are among several hundred people volunteering this summer through OPPAL, a Swiss NGO seeking a novel way to protect wolves, by helping chase them away from grazing livestock.

“Our goal is that by the end of the summer season, the livestock are still alive... and the wolves too,” OPPAL director Jeremie Moulin told AFP.

He co-founded the organisation three years ago in a bid to help promote and improve cohabitation between wildlife and human activities, at a time when swelling wolf populations had emotions running high.

“I think this project helps enable dialogue,” Moulin said.

After being wiped out more than a century ago, wolves have in recent decades begun returning to Switzerland, like several other European countries.

Since the first pack was spotted in the wealthy Alpine nation in 2012, the number of packs swelled to around two dozen by the start of this year, with some 250 individual wolves counted.

Nature preservation groups have hailed the return, seeing it as a sign of a healthier and more diverse ecosystem. 

But breeders and herders decry soaring attacks on livestock, with 1,480 farm animals killed by wolves in Switzerland last year alone.

In response, Swiss authorities, who in 2022 authorised the cull of 24 wolves and regulation of four packs, last month relaxed the rules for hunting the protected species.

And with news of wolf attacks on livestock dominating the summer headlines, the Swiss Farmers’ Union has urged more hunting permits to be issued to take advantage of the laxer ordinance. 

“Rangers alone will not be enough to bring exponentially growing wolf populations back under control and reduce them to a manageable density,” it said.

Moulin said he understands the farmers’ frustration.

“For them, the wolf obviously represents a large additional workload,” he said, adding that OPPAL aimed to help sensitise the broader population to the challenges, and also provide some relief.

Up to 400 volunteers will take part in OPPAL’s monitoring programme this summer, spending nights camped out in mountain pastures, watching over grazing sheep and calves.

Aliki and Francois joined from the start, and now do two five-day stints in various locations each summer.

“It’s our vacation time,” Francois said, looking around the desolate spot, reached after a four-hour drive from Geneva and a nearly two-hour hike up a steep, rocky path.

At 2,200 metres above sea level, temperatures quickly plunge as the sun sets.

Using a tarp, the couple have created a lookout shelter, equipped with camping chairs, thermal blankets and a propane coffee maker to get them through the night. 

They have also pitched a small tent where one could theoretically rest as the other keeps watch, but acknowledge they have barely used it.

All through the frigid night, they take turns scanning the horizon with thermal, infrared binoculars every 15 minutes for signs of animals moving towards the flock of resting sheep, their bells chiming softly in the darkness. 

“You have to look often, and you have to look well,” Aliki said, “because the wolf can see us in the darkness and knows when to try its luck. And when it moves, it moves extremely fast”.

To frighten off a wolf, “you can’t be all that scared yourself”, Francois said, explaining how he and Aliki two nights earlier had chased away wolves three times in a few hours. 

“It takes two people,” he said. “One keeps an eye on the wolf with the binoculars, and the other runs towards the beast with the torch... and a whistle”.

It is an athletic endeavour, running up mountain sides in the dark, tripping over rocks and molehills, he said. “But it is magical.” 

Moulin said OPPAL volunteers on average chase off wolves once every 20 nights, with 32 such events registered last year.

Shepherd Mathis von Siebenthal appreciates the effort.

“It is such a big help,” he said after delivering the flock to Aliki and Francois for the night.

“If OPPAL were not here, I would be always... thinking if the wolf is coming or not,” said the 36-year-old German national with a tanned, weathered face.

“Like this, I can go to sleep.” 

After a long, cold, uneventful night under a sky of shooting stars, Aliki said she was looking forward to getting rest at the mountain refuge about a kilometre away.

“The last two hours are the worst,” she said bleary-eyed.

“Between 4am and 6am we dream of nothing but morning, coffee, and sleep.”

 

Britney Spears’ husband says marriage over, files for divorce

By - Aug 23,2023 - Last updated at Aug 23,2023

LOS ANGELES — Britney Spears’ husband said on Thursday his marriage to the troubled pop star is over, filing for divorce just 14 months after the pair wed.

Sam Asghari said the couple would “hold onto the love” they have, but that they were going their separate ways.

“After 6 years of love and commitment to each other my wife and I have decided to end our journey together,” the Iranian-born model wrote on Instagram.

“We will hold onto the love and respect we have for each other and I wish her the best always,” the 29-year-old added.

“Asking for privacy seems ridiculous so I will just ask for everyone including media to be kind and thoughtful.”

Court documents lodged in Los Angeles show Asghari cited “irreconcilable differences” as the reason for ending the marriage.

The couple wed in 2022, about a year after a California judge dissolved a controversial 14-year conservatorship that had barred Spears from handling her own life and finances, a legal arrangement many fans considered exploitative.

Under the conservatorship — which was largely managed by her father Jamie Spears — the now-41-year-old singer said she was prevented from having a contraceptive IUD removed despite her desire for more children, claimed she was forced to work and said her phone was tapped.

“I just want my life back,” Spears told the court in 2021.

The singer — whose hits include “Oops!... I Did It Again,” and “Toxic” — reportedly has a prenuptial agreement in place that will protect her assets.

Asghari’s divorce petition says the two have been separated since last month. 

Spears rocketed to fame in her teens on hits like “...Baby One More Time”, becoming one of the world’s reigning pop stars at the turn of the millennium.

But she suffered a highly publicised 2007 breakdown, which included attacking a paparazzo’s car at a gas station, and the conservatorship began just a year later.

Asghari and Spears met in 2016 when he appeared in a music video for her single “Slumber Party”.

The couple announced a surprise pregnancy in 2022 but said it had ended in miscarriage only weeks later. 

Spears has two teen sons, Sean and Jayden, with her ex-husband Kevin Federline. She was also briefly married — for less than three days — to childhood friend Jason Alexander. 

After reports of her split with Asghari began to surface, Spears posted on Instagram that she was planning to buy a horse, but made no mention of her marital status. 

Her memoir, “The Woman In Me”, is due to be released in October. 

 

‘Blue Beetle’ beats ‘Barbie’ in theatres

By - Aug 23,2023 - Last updated at Aug 23,2023

LOS ANGELES — It was a good news/bad news weekend for “Blue Beetle”, the latest superhero film to hit North American theatres and the first built around a live-action Latino protagonist.

The DC Studios/Warner Bros. production topped the charts for the Friday-through-Sunday period and even dethroned “Barbie”, that reigning queen of pinkness, industry watcher Exhibitor Relations said Sunday.

But its estimated take of $25.4 million was “the lowest DC superhero debut of this era” other than 2021’s money-losing “Wonder Woman 1984”. 

“Beetle” stars 22-year-old American actor Xolo Mariduena — who is of mixed Mexican, Cuban and Ecuadoran descent — as a new college graduate whose body is taken over by the mysterious Scarab, which gives him superhuman powers.

Analyst David A. Gross said that while ticket sales for “Beetle” were only a third the average for new superhero flicks, reviews have been good and overseas prospects are strong.

“Barbie”, in its fifth week out, scored $21.5 million in ticket sales, “a huge result at this point in its theatrical run”, according to Variety. The Warner Bros. fantasy-comedy has now taken in an eye-popping $1.27 billion globally.

In third, also in its fifth week out, was Universal’s “Oppenheimer”, at $10.6 million. The historical drama about the origins of the first atomic bomb has passed the $700 million mark globally.

Fourth place went to Paramount’s animated “Teenage Mutant Ninja Turtles: Mutant Mayhem”, at $8.4 million. Its huge voice cast includes Maya Rudolph, Ayo Edebiri, John Cena, Jackie Chan, Ice Cube and Paul Rudd.

And in fifth was Universal’s new talking-dog comedy “Strays”, at $8.3 million, a concerning start for a movie made on a $46 million budget. 

Rounding out the top 10 were “Meg 2: The Trench” ($6.7 million), “Talk to Me” ($3.2 million), “Haunted Mansion” ($3 million), “Mission: Impossible — Dead Reckoning Part One” ($2.7 million) and “The Last Voyage of the Demeter” ($2.5 million).

Unlikely Harlem bagel shop thinks big

By - Aug 23,2023 - Last updated at Aug 23,2023

Ashley Dikos, wife of Bo’s Bagels owner Andrew Martinez, spreads bagels with cream cheese at Bo’s Bagels in New York City, on July 12 (AFP photo by Yuki Iwamura)

 

NEW YORK — Andrew Martinez was not born into a New York bagel empire and didn’t start baking the Big Apple’s quintessential ring of doughy goodness until he was in his 40s.

Yet, the Queens-born Martinez, his wife Ashley Dikos and their growing business, Bo’s Bagels, are regularly mentioned among the top producers of the ring-shaped bread products, a breakfast and lunch staple.

For Martinez, his ascent into the bagel elite is a happy accident.

“Sometimes I walk in here and say, ‘I can’t believe this is my life,’” Martinez told AFP. “This is New York. It’s incredibly difficult to succeed here.”

Martinez’s unexpected road to the bagel big leagues began in 2014 when the longtime restaurant industry professional found himself stuck in the hospital for two months, nourished with a feeding tube.

Martinez decided the first thing he would do when healthy again was to eat a classically delectable New York bagel, with its crusty exterior and dense, chewy interior. 

But upon returning to his Harlem home, he realised there were no decent bagel shops within walking distance.

Annoyed at needing to take the subway to get his fix, Martinez began researching the bread. Bagels, he learned, originally arrived in New York’s Jewish neighbourhoods on the Lower East Side thanks to Polish immigrants. 

Reading whatever he could find about the boil-and-bake process and picking the brains of experts, Martinez experimented for about six months before producing something resembling the bagels of his youth.

“People eat with their memories,” he said. “I was dreaming about the bagels I ate when I was a kid in Queens, and that’s the flavour I was looking for.”

 

Thinking bigger

 

His culinary quest began to expand, however, when Martinez served the bagels to family members who urged him and Dikos to think bigger.

Small-scale catering morphed first into a farmers market stall; then in 2017 the couple opened Bo’s Bagels — a 110-square-metre retail space on a corner of 116th Street in West Harlem near several African restaurants.

Consumers have lined up at the door from the start, but the couple admits the journey has included some comical missteps. 

Before their first farmers’ market weekend, Martinez and Dikos converted their kitchen into a production factory, putting hundreds of unbaked bagels in the refrigerator the night before.

But after a two-hour nap, they awoke to find a growing, yeast-fuelled ball had popped the fridge door open. 

“It was just one giant blob of dough,” recalled Dikos.

The couple were forced to postpone their market debut, instead working well into the night to cut the ruined dough into pieces small enough to fit in the trash chute without raising the suspicions of apartment staff.

 

Labour of love

 

Creating great bagels begins about 48 hours before baking, when flour, yeast and water are combined and set out overnight. 

Other key steps include an overnight refrigeration to slow the fermentation process and about a two-minute boil.

Not all New York bagelmakers go through this painstaking process — and it shows, industry experts say. 

“There are a lot of mediocre bagels,” said Sam Silverman, chief executive of the trade group BagelUp.

Silverman nonetheless considers this a golden era for bagels, with legacy names such as Ess-a-Bagel and Utopia Bagels jostling with newcomers, like Bo’s, who fill a surprising number of “bagel deserts” across the city’s five boroughs.

 

No green bagels

 

Bo’s, which has won raves from the Food & Wine and Eater websites, credits its success to a scrupulousness in following time-tested processes, an avoidance of cheap ingredients and a throwback approach to a crustier, smaller bagel.

The Harlem store produces about 3,000 bagels a day, an output that will be at least doubled when Bo’s opens a second shop later this year in Washington Heights, another neighbourhood with few bagel options. 

The couple eventually plans to open shops outside New York.

While Martinez was the driving force behind the original recipe, the Michigan-born Dikos has taken the lead on some options including the cinnamon raisin variety.

Pleasing traditionalists is central, but the couple has also embraced some newer flavours such as the blueberry and three-cheese bagels that were first made popular outside New York.

“Nowadays you have to provide a lot of variety for all the different kinds of people,” said Dikos.

The couple are not opposed to gluten-free bagels, though they have yet to develop a recipe that measures up, she said.

But they shun “gimmicks” — so there will be no green bagels on St. Patrick’s Day.

Renewed interest in sumo wrestling proves big pull for tourists

By - Aug 22,2023 - Last updated at Aug 22,2023

TOKYO — Their interest piqued during Covid lockdowns and by a new Netflix drama, a fresh rush of foreign tourists are flocking to Japan for a look inside the insular world of sumo.

Japan’s national sport — hundreds of years old and steeped in tradition — has long been a source of fascination outside the country, but those in the industry say interest has spiked in recent years, with some making the most of the new attention.

At a recent lunchtime “performance”, two imposing sumo practitioners strutted their stuff in a Tokyo restaurant full of cheering tourists.

Afterwards, the spectators took selfies with the hulking athletes and donned padded sumo costumes and wigs to try their hand at the ancient art in a bout against retired professionals.

“The kids had a blast. I had a blast getting up there and fighting with them,” said Kiernan Riley, 42, from Arizona.

“They put on a good show. Definitely one of the highlights of the trip.”

Tickets for the thrice-weekly event, which includes commentary in English and a slap-up meal, go for 11,000 yen ($76) each and were sold out for the following six weeks.

One of the stars is former top professional wrestler Takayuki Sakuma, aka Jokoryu, who stands 1.87 metres tall and weighed 170 kilogramme at his peak.

“When you’re a professional, your life depends on sumo,” the now-retired 35-year-old told AFP. “And it’s not to be taken lightly.”

“But to entertain people we add humour. The most important thing is to make people appreciate sumo as culture.”

Former amateur sumo wrestler John Gunning, who competed for his native Ireland and commentates — in English — on Japanese television, said there has been a “huge increase” in the sport’s popularity abroad over the last five to 10 years.

But that popularity grew even more during Covid, when people stuck in lockdown explored new interests. 

And the release this year of “Sanctuary”, a new Netflix series set in the world of sumo, also helped to introduce the sport to a new audience.

“I’m seeing a lot of people saying that that was their first exposure to sumo,” Gunning told AFP.

The Japan Sumo Association last year also launched an English-language YouTube channel, “Sumo Prime Time”, whose videos rack up tens of thousands of views.

Ken Miller, 68, shows groups of American tourists the area of Ryogoku, a mecca for the sport, including the Kokugikan arena.

Each one pays several hundred dollars for the experience, and he says he is booked up for the next year.

Three times a year, in January, May and September, Kokugikan hosts the top stars of sumo in national tournaments in front of more than 10,000 cheering fans.

“I try to explain to them [the tourists] that sumo is not just a sport, it’s part of the culture. And it’s very much connected to Buddhism, Shinto,” Miller told AFP.

“It’s a way of life.”

Tourists have long been able to visit the hallowed interior of a “heya”, one of the traditional “stables” where sumo wrestlers live and train according to strict traditions.

But because of the growth in interest, many stables have banned individual visits and only allow group tours booked through an agency, said guide Yuriko Kimura.

“When we started sumo stable training tours, it was maybe held once or twice a week, people didn’t know about sumo. But then it surged around 2018-2019,” she told AFP.

“I tell them that what is important is to show respect towards the stable and sumo wrestlers. If people from other countries know the dos and don’ts, they won’t do something wrong.”

Inside, visitors must stay seated and quiet so as not to disturb the wrestlers while they train.

One stable, Arashio in central Tokyo, has a large bay window where dozens of people gather every day to watch the training sessions.

Yuka Suzuki, 61, the wife of the former master who installed the window, said that the original aim was to chip away at the reputation of sumo being “secretive”.

“But instead of locals, it’s people from all over the world who have started to come,” she said.

She added that she hoped that as a result, Japanese people would start to rediscover their national sport, which she said was essential for its survival.

“Young wrestlers came into this world [of sumo] to test themselves, but if there are fewer and fewer Japanese people who feel that way, sumo wrestling will also disappear,” she said.

Kia Sorento HEV: Crossing over to a more sophisticated style

By - Aug 22,2023 - Last updated at Aug 22,2023

Photo courtesy of Kia

A thoroughly better appointed, equipped and designed vehicle than it has ever been since its 2002 introduction, the Kia Sorento has over the years evolved from a more traditional and rugged compact SUV to a contemporary on-road oriented mid-size crossover with a big emphasis on comfort, design, and tech.

Launched in 2020, the fourth generation Sorento includes the featured HEV model incorporating a small, but powerful combustion engine and electric motor for confident performance, refined delivery and frugal fuel consumption.

 

Distinctly dramatic

 

Distinctly more stylised than before, the new Sorento ditches its predecessors’ swept back style for a distinctly more dramatic and overtly aggressive design featuring a wide and hungry take on Kia’s signature tiger nose grille, more jutting bumpers and tailgate spoiler, recessed, heavily browed headlights and sculpted surfacing. Upright and assertive, it also features a clamshell bonnet, and sharper and more sophisticated vertically-oriented rear lights, but nevertheless retains a subtle link predecessors in profile, with the use of a similar rear quarter glasshouse outline and pillar rake.

Driven by a turbocharged 1.6-litre direct injection four-cylinder engine developing 177BHP at 5,500rpm and 195lb/ft torque throughout 1,500-4,500rpm, the Sorento HEV’s combustion engine is further complemented with an electric synchronous motor developing 59BHP at 1,600-2,000rpm and 194lb/ft torque at 0-1,600rpm. With a healthy combined system output of 227BHP at 5,500rpm and 258lb/ft throughout a broad 1,500-4,400rpm band, the Sorento HEV is a confidently capable performer, and can propel its 1.8-tonne mass through the 0-100km/h acceleration benchmark in 8.5-seconds.

 

Confident cruising

 

In its element on the highway and through fast B-roads, the Sorento HEV proved muscularly versatile in accumulating speed when on the move, and can accelerate through 80-120km/h in 5.8-seconds. Comfortable and well-suited as a long distance cruiser, the Sorento HEV effortlessly directs its combined output in this application, with its regenerative brakes having enough opportunity to recharge its batteries. Returning moderate 6.35l/100km combined cycle fuel consumption, the Sorento HEV can meanwhile attain up to 120km/h in electric mode and a top speed of 193km/h.

Responsive from standstill and imbued with gutsy low and mid-range torque that underwrites its power accumulation, the Sorento HEV tackles inclines with assured confidence. However, high power and heavy load driving on steep inclines in a sustained and prolonged manner would be expected to quickly deplete its batteries, as is almost always the case with hybrids, which rely on off-throttle and braking kinetic energy recovery. The Sorento HEV’s 6-speed automatic gearbox meanwhile operates in smooth and sufficiently quick fashion through ratios and in manual mode shifting.

 

Smooth operator

 

Pulling through wind resistance with confident ease, the Sorento HEV is smooth, refined and flexibly builds speed. Dispatching distances with comfort and quiet, the Sorento HEV proved firm yet forgiving over highway and in town imperfections and well-absorbed moderate bumps and potholes, even with its low profile 235/55R19 tyres. Settled and stable at speed, the Sorento HEV rides with a more buttoned down manner than the wafty quality of its Kia K8 HEV large saloon sister, with which it shares its drive-train. 

Tidier and more direct in its dynamics than expected of its class, the Sorento HEV’s steering it light and accurate, if not particularly feelsome, while turn-in grip and rear road-holding on exit are reassuring, as driven in moderate conditions. Stable through sweeping corners, the Sorento HEV feels settled and comparatively well-controls body lean. Also offered with all-wheel-drive for improved traction, the Sorento HEV, however, impressed in being more responsive to throttle lift-off than many turbocharged hybrid vehicles, which are often more reluctant to wind down from high revs.

 

Cavernous comfort

 

Spacious and comfortable inside, the Sorento’s cabin has a thoroughly modern and upmarket, if perhaps busy, flavour, and uses pleasant textures, decent material and a stylised design. It incorporates centre controls that are framed between air vents, and which is echoed by the centre console design. It also features a thick sporty steering wheel and an upright wall comprised of digital instrument cluster and large infotainment screen. Well-equipped with a multitude of convenience, comfort, infotainment, safety and other features, the Sorento certainly has a high tech ambiance.

With big well-adjustable seats providing good comfort and an accommodating driving position, the Sorento also offers good front visibility. Mid-row eating is similarly good and includes decent headroom for adults, while its third row seats are useable, if not especially spacious. Allowing for good cabin access through its doors, the Sorento meanwhile also delivers good cargo carrying capacities, from a minimum of 356-litres with all seven seats up, to a cavernous van-like 2,138-litre maximum when the rear two rows are folded down.

 

TECHNICAL SPECIFICATIONS

  • Engine: 1.6-litre, turbocharged transverse 4-cylinders, & synchronous electric motor
  • Bore x stroke: 75.6 x 89mm
  • Valve-train: Direct injection, DOHC, 16-valve, continuously variable valve timing
  • Gearbox: 6-speed automatic, front-wheel-drive
  • Gear ratios: 1st 4.639:1; 2nd 2.826:1; 3rd 1.841:1; 4th 1.386:1; 5th 1:1; 6th 0.772:1
  • Reverse/final drive: 3.385:1/3.51:1
  • Petrol engine power, BHP (PS) [kW]: 177 (180) [132] @5,500 rpm
  • Electric motor power, BHP (PS) [kW]: 59 (60) [44.2] @1,600-2,000rpm
  • Combined power, BHP (PS) [kW]: 227 (230) [169] @5,500rpm (estimated)
  • Petrol engine torque, lb/ft (Nm): 195 (265) @1,500-4,500rpm
  • Electric motor torque, lb/ft (Nm): 194 (264) @0-1,600rpm
  • Combined torque, lb/ft (Nm): 258 (350) @1,500-4,400rpm (estimated)
  • 0-100km/h: 8.6-seconds
  • 80-120km/h: 5.8-seconds
  • Top speed (EV mode): 193km/h (120km/h)
  • Fuel consumption, combined: 6.35l-litres/100km
  • Fuel capacity: 70-litres
  • Battery: 270V lithium-ion, 60Ah
  • Track, F/R: 1,651/1,661mm
  • Minimum ground clearance: 174mm
  • Approach/break-over/departure angles: 16.8°/15.1°/21.3°
  • Headroom, F/M/R: 1,023/993/934mm
  • Leg room, F/R: 1,051/1,033/751mm
  • Shoulder room, F/R: 1,501/1,475/1,346mm
  • Turning circle: 11.55-metres
  • Suspension, F/R: MacPherson struts/multi-link
  • Brakes: Ventilated discs, 325mm
  • Tyres: 235/55R19

MrBeast, the YouTuber who bit more burger than he could chew

By - Aug 20,2023 - Last updated at Aug 20,2023

 

PARIS — It’s September 4, 2022, and around 10,000 people are shouting “Beast, Beast, Beast” in a shopping mall in New Jersey: YouTuber MrBeast is on his way to launch his first burger restaurant, and the crowd is hysterical.

MrBeast, real name Jimmy Donaldson, was building out his global MrBeast Burger business from its origins as a product made in “ghost kitchens” available only on delivery apps.

But he has since had a dramatic change of heart.

Donaldson, 25, recently crowned the world’s most popular YouTuber with more than 170 million subscribers, launched a legal case in late July against the suppliers of the burgers to end the deal.

The court filings include choice quotes from customers: “One New York reviewer, echoing the sentiments of thousands, stated that MrBeast Burger was ‘the absolute worst burger I’ve ever eaten in my entire life! It was like eating spoonfuls of garlic powder’.”

The ghost kitchen firm, Virtual Dining Concepts, countersued last week for $100 million in damages. 

“This court case is a signal for a lot of other influencers,” said Jess Flack, founder of influencer marketing agency Ubiquitous.

She said it marked the fizzling out of influencers’ relationships with ghost kitchens, forged during the pandemic when lockdowns kept millions at home and closed restaurants across the world.

 

‘Implode’ the brand

 

Analysts predicted ghost kitchens were the next big thing. Market research outfit Euromonitor International suggested the sector could be worth $1 trillion by 2030.

Forecasts like this might have egged on Donaldson, especially as the path from entertainment to catering is well trodden.

Arnold Schwarzenegger and others had a pop with the Planet Hollywood restaurant chain, George Clooney flogs his own tequila and Emimen hawks spaghetti from a hole-in-the-wall in Detroit.

But Flack points out that Donaldson’s position is more tricky than those other luminaries.

“For someone like MrBeast, his entire career is based off of his brand,” she said.

“He’s not like an actor or a singer, or a rapper like Eminem who has a career to fall back on.”

From that point of view, she said, it made perfect sense for him to “implode” MrBeast Burger over the bad reviews.

‘Loyal fanbase’

 

In any case, Donaldson has another food empire spanning cookies and chocolate bars that gains more positive reviews.

And his social media peers are proving that the food industry still is a viable outlet.

Lifestyle YouTuber Emma Chamberlain has a successful coffee business and viral stunt-creator Logan Paul’s energy drinks are doing just fine, to mention only a few.

The phenomenon is not limited to the United States.

Popular French YouTuber Mister V and Spanish internet celebrity Carlos Rios both have their food brands splashed across supermarket shelves.

“Many YouTubers are creating quite a loyal fanbase due to the seeming intimacy of their relationship with their audiences,” said Vince Miller of the University of Kent in Britain. 

But what happens if it all falls apart?

 

‘Nicest guy on YouTube’

 

For Donaldson, often dubbed the Internet’s Willie Wonka for handing out piles of cash or life-changing experiences at random, the future is still very bright.

He says he pays for the stunts by churning his profits — Forbes magazine listed his 2021 earnings at $54 million — back into the production of his videos, some of which cost millions to produce.

The giveaways and his endlessly cheery, circus-ringmaster shtick have catapulted him to superstardom with tens of millions of fans hanging on his every word.

“Many of them are kids and young people who really care about what he does and see him as the nicest and most generous guy on YouTube,” said Miller.

His latest video, “7 Days Stranded at Sea”, where he and his friends spent a week on a raft, clocked up what he said was a record-breaking 46 million views on its first day.

“I don’t ever want to hear I only get views because I give away money,” he wrote on X, formerly known as Twitter. “We broke the world record with me and my friends suffering and cracking jokes lol.”

What many, mostly older, folk find hard to swallow is his juxtaposition of charity stunts — he recently paid for 1,000 people to have sight-saving eye operations — with a thirst for clicks.

But for his fans that is a huge part of his appeal — they feel like they are doing good just by watching his videos.

“Beast Philanthropy is literally funded by your eyeballs,” he told viewers of his other channel, Beast Philanthropy. “Not even joking.”

Who’s the bully?

By , - Aug 20,2023 - Last updated at Aug 20,2023

Photo courtesy of Family Flavours magazine

By Rania Saadi
Rapid Transformational Therapist and Clinical Hypnotherapist

 

Why do some kids bully, while others are bullied? And what is the effective approach to addressing this behaviour? Understanding the underlying reasons behind why some children engage in this behaviour is crucial to effectively addressing and responding to this distressing issue.

 

Survival mode

 

To best understand the dynamics of the bullying group, let’s go back to the beginnings.

We come to this world seeking connection, and we do our best to avoid rejection. This fear of rejection has its roots in the days of tribal life, when people used to go out hunting for food; they had to do it in groups, for safety purposes.

And in the unfortunate circumstance that someone was left out, this person was risking being attacked by a wild animal, starving, or even dying of thirst. Being part of a group was wired into our brains millions of years ago and is attached to the very primitive need for survival.

 

Valued and accepted

 

For this reason, a child’s most powerful need is to connect and belong to a group. This need starts at an early age and develops further in teenage years. If they can belong and fit into a group, children believe that they are valued and accepted within their community.

The group is the “tribe” and teenagers need to belong, in order to feel connected and “safe”. One of the ways this happens, is when the “group” finds one person to exclude and they bond over that. In other words, the members of the bullying group connect by rejecting someone. And this is where peer pressure comes into play. Feeling pressured to bully someone to fit in a group is very common amongst children and teens.

 

At home

 

Studies indicate that most bullies are bullied at home, affecting, therefore, their worth and self-esteem. These bullied children will then go on and try to boost their value and self-esteem by putting someone else down.

In most cases, children may resort to bullying as a means of exerting power, seeking validation, or coping with their own insecurities or frustrations. It is important to point out that understanding the intention behind this behaviour does not make it excusable or acceptable; but it rather gives us a new perspective that allows us to respond in a more comprehensive and thoughtful way.

The bully chooses another child to pick on, who usually shares the same insecurities and low self-esteem; an easy target to mirror a bully’s own frustration and lack of confidence. 

 

Thank you for sharing

 

One thing to teach your kids is that bullies cannot hurt them unless they believe everything they say and let it all in. And the best way to block whatever a bully is saying is by saying repeatedly: “Thank you for sharing.” This magical phrase has the power of bursting the bullies’ bubbles, stopping them in their tracks because their words no longer had any effect whatsoever.

This been said, it is important to understand that both parties, the bully and bullied suffer from selfesteem issues. It is never too late to help them both through counselling, therapy and other means.

We must also remind ourselves that the “bully” is actually a child and working with him to regain his lost confidence and self-worth, is the first step to helping the bully transform and let go of this kind of behaviour. What most people don’t realise is that when they label a child, they limit this child. To them, this label becomes a blueprint, a belief about themselves. Through labelling, we restrict the child in that role, where there is nowhere to go from, but to perform behaviours proving and reflecting that inner self-belief that we all helped ingrain.

By implementing strategies that focus on awareness, empathy and intervention, we can help children develop healthier coping mechanisms, foster a culture of respect and acceptance and ultimately reduce the incidence of bullying in our schools and communities.

 

Reprinted with permission from Family Flavours magazine

US surgeons say pig kidney functional in human for more than a month

By - Aug 19,2023 - Last updated at Aug 19,2023

Photo courtesy of wordpress.com

WASHINGTON — US surgeons who transplanted a genetically modified pig kidney into a brain dead patient said on Wednesday the organ was still working well after a record 32 days — a significant step in the quest to close the organ donation gap.

The latest experimental procedure is part of a growing field of research aimed at advancing cross-species transplants, testing the technique on bodies that have been donated for science.

There are more than 103,000 people waiting for organs in the United States, 88,000 of whom need kidneys.

“We have a genetically edited pig kidney surviving for over a month in a human,” Robert Montgomery, director of the New York University Langone Transplant Institute, told reporters. “I think there’s a very compelling story that exists at this point that I think should give further assurances about starting some initial studies... in living humans.”

Montgomery carried out the first genetically modified pig kidney transplant to a human in September 2021, followed by a similar procedure in November 2021. There have since been a handful of other cases, with all the experiments running for two or three days.

While previous transplants have involved body parts with up to 10 genetic modifications, the latest had just one: in the gene involved in so-called “hyperacute rejection”, which would otherwise occur within minutes of an animal organ being connected to a human circulatory system.

By “knocking out” the gene responsible for a biomolecule called alpha-gal — a prime target for roving human antibodies — the NYU Langone team were able to stop immediate rejection.

“We’ve now gathered more evidence to show that, at least in kidneys, just eliminating the gene that triggers a hyperacute rejection may be enough along with clinically approved immunosuppressive drugs to successfully manage the transplant in a human for optimal performance — potentially in the long-term,” said Montgomery.

They also embedded the pig’s thymus gland — which lies around the neck and is responsible for educating the immune system — in the kidney’s outer layer.

Adam Griesemer, of the NYU Grossman School of Medicine, added that this practice allowed immune cells in the host’s body to learn to recognise the pig’s cells as its own, preventing a delayed rejection.

Both of the patient’s own kidneys were removed, then one pig kidney was transplanted, and started immediately producing urine. 

Monitoring showed that levels of creatinine, a waste product, were at optimal levels, and there was no evidence of rejection.

 

No evidence of pig virus

 

Crucially, no evidence of porcine cytomegalovirus — which may trigger organ failure — have been detected since the transplant, and the team plan to continue monitoring for another month.

The research was made possible by the family of the 57-year-old male patient, Maurice “Mo” Miller, who was found unresponsive in his bathroom in July. Doctors determined he had an aggressive form of brain cancer, and would not wake up.

“Though my brother cannot be here, I can say with confidence he would be proud of the fact in the tragedy of his death, his legacy will be helping many people live,” his sister Mary Miller-Duffy told reporters.

In January 2022, surgeons at the University of Maryland Medical School carried out the world’s first pig-to-human transplant on a living patient — this time involving a heart. He died two months after the milestone, with the presence of porcine cytomegalovirus in the organ later blamed.

The donor pig in these experiments came from a herd from Virginia-based biotech company Revivicor. The herd was approved by the Food and Drug Administration as a source of meat for people with hypersensitivity to the alpha-gal molecule, an allergy caused by tick bites.

These pigs are bred, not cloned, meaning the process can be more easily scaled.

Early so-called xenotransplantation research focused on harvesting organs from primates — for example, a baboon heart was transplanted into a newborn known as “Baby Fae” in 1984, but she survived only 20 days.

Current efforts focus on pigs, which are thought to be ideal donors for humans because of their organ size, their rapid growth and large litters, and the fact they are already raised as a food source.

Paris museum gives troubled NFT art scene a big showcase

By - Aug 17,2023 - Last updated at Aug 17,2023

PARIS — NFTs, the tokens of the crypto world linked to digital artworks, have been granted a show at the Pompidou Centre in Paris, despite an almost total collapse in their price and cultural cachet.

The Pompidou, a popular attraction in the Marais district of the French capital, has opened the exhibition in its minimalist halls dedicated to NFTs which could give the digital art form a much-needed lift.

Blockbuster multimillion-dollar sales helped fuel publicity in 2021, and prices soared amid a lack of regulation and general confusion over what the digital tokens were. 

But the value of NFT transactions fell 94 per cent between 2021 and 2022, from $233 million to $14 million, according to French analytics firm Artprice.

The organisers of the event at the Pompidou, the first European gallery to start a collection of NFT art, are more keen to talk about the art than the economics.

“These artists get a place in the history of art and their works are guaranteed longevity,” said Marcella Lista, the gallery’s chief curator.

However, the collapse in interest in NFTs along with a wider plunge in the value of cryptocurrencies allowed the Pompidou to bag many of the works for just a handful of dollars, according to records on the OpenSea platform.

About half of the works were donated by their creators.

 

Crypto icons

 

Among those who happily handed over their work was Californian artist Robness, who came to see the show and said it was a “humbling experience” to be included.

He too was keen to shift the focus from the slump in prices.

“If you start worrying about the market dynamics, you’re taking your energy out, putting it into other places,” he told AFP.

“That’s not conducive to actually creating.” 

Robness compared NFTs to email, an elemental technology that he reckons will continue to find uses.

Born at the crossroads of technology and artistic provocation, NFT art quickly created its own emblems and myths — and the Pompidou exhibition is steeped in its iconography.

Robness donated a 3D “portrait” of Satoshi Nakamoto, the possibly fictional creator of bitcoin.

Another of the works on display is “Bitchcoin”, a representation of a bitcoin created by Sarah Meyohas in 2015, making it one of the first NFT artworks.

While one of the most famous emblems of the scene, a “cryptopunk”, also gets an airing.

Visitors get the experience of a traditional art gallery — whitewashed walls, hanging images accompanied with small explanation cards — but instead of canvas and paper, the digital works are rendered on screens.

 

Storing pixels

 

If the prices paid for the artworks were surprisingly low, the gallery nonetheless had to jump through some pretty tight hoops to acquire them.

NFT art is generally sold on platforms where cryptocurrency is the preferred payment method, and proof of ownership is stored on the blockchain.

Lista said accounting rules simply would not let the Pompidou go through the convoluted process of buying cryptocurrency to acquire the works, and blockchain records were not good enough.

Instead, she said, the works were paid for in euros and contracts were signed under French law.

Then comes the difficulty of storing and insuring the works, which are essentially digital pixels that can be replicated as many times as anyone wants.

Philippe Bertinelli, another of the curators of the exhibition, said copies were held on several servers and in different media.

“Even if a system breaks down or something is lost or burned, we can ensure the works are still safely stored,” he said.

There are 18 works in the exhibit, which runs through January 2024.

 

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